In the first century BC, a slave named Spartacus threatened the might of Rome. Spartacus (c. 109 BC-71 BC) was the leader (or possibly one of several leaders) of the massive slave uprising known as the Third Servile War. Under his leadership, a tiny band of rebel gladiators grew into a huge revolutionary army, numbering about 100,000. In the end the full force of the Roman army was needed to crush the revolt.

Alan Woods spoke at the IMT Winter School in Berlin on the subject of the relationship between Art and the Class Struggle.

The year 2009 is a year of many anniversaries. As they will soon be reminding us, this is also twenty years since the fall of the Berlin Wall. That was a time when the capitalists and their spokespersons felt triumphant. They announced the end of Communism, the end of Socialism, even the end of History. But now it is clear to all that their predictions were false. What collapsed 20 years ago was not socialism or communism but only a bureaucratic and totalitarian caricature of socialism. The collapse of Stalinism was a great historical drama, but in retrospect it will be seen by history as only the prelude to an even greater drama: the collapse of capitalism, which is already being

In his The Mona Lisa Curse, the Australian art critic Robert Hughes subjected present-day commercialisation of art to a withering criticism. His programme was a damning indictment of the general tendency of art to degenerate into flashy triviality to the degree that it subordinates itself to money-making and capitalist market economics. It condemned the British artist Hirst for "functioning like a commercial brand" and destroying any true understanding of art in the public's mind by placing importance on the price tag alone.

The question of the State in capitalist society is of key importance for Marxists. We do not see it as an impartial arbiter standing above society. The fundamental essence of every state, with its “armed bodies of men”, police, courts and other trappings is that it serves the interests of one class in society, in the case of capitalism, the capitalist class.

Alan Woods was interviewed by Sudestada, an Argentine arts, culture and news monthly magazine, on the Russian Revolution and its subsequent degeneration. As Alan has explained, what failed in Russia was not socialism, but a bureaucratic caricature of socialism.

To mark the 40th anniversary of the invasion of Czechoslovakia, we are here reprinting an article by Alan Woods, first written on September 4, 1968, and published in the Winter edition of the Spark, in which he clearly relates the momentous events that shook the Stalinist regimes and explains their significance.

This year is the centenary of Dimitri Shostakovich, one of the greatest composers of the 20^th century, a giant who gave voice to the sufferings and triumphs of the Soviet people in one of the most turbulent and revolutionary periods in history. In this article Alan Woods attempts to show Shostakovich as he really was: a great Soviet artist who used music to express the terrible and inspiring events of the period in which he lived, a man of the people who believed in the possibility of a better world under socialism.

In January at a meeting of the International Committee of the International Marxist Tendency Alan Woods gave a lead off on World Perspectives, in which he analysed the unfolding class struggle on an international scale, laying special emphasis on the events taking place in Latin America. After a long period of relative lull in the class struggle workers everywhere have started to move once more. The task is to provide this movement with the necessary revolutionary leadership. The present text is based on Alan Woods’ speech.

Yesterday was the anniversary of the death of André Breton, one of the most outstanding literary representatives of surrealism, who tried to link art with revolutionary politics and collaborated for a time with Leon Trotsky. Alan Woods wrote this piece commemorating the great artist.

This year marks the 400th anniversary of the first publication of Don Quixote, the greatest masterpiece of Spanish literature. The working class, the class that has the greatest interest in fighting to defend culture, should celebrate this anniversary enthusiastically. This was the first great modern novel, written in a language that ordinary men and women could understand.

Lenin stated that the October Revolution of 1917 could never have taken place without the previous experience of the Revolution of 1905. A study of this remarkable event is therefore of great importance for anyone who wishes to understand the dynamics of revolution in general, and not just in the particular case. We publish here Alan Woods’ introduction to the forthcoming Spanish edition of Trotsky’s 1905.

An article by Israel Shamir, La saga de Woods, appeared on October 15, on the Spanish language web site Rebelión. Shamir brings out all his Stalinist venom against genuine Marxism – i.e. Trotskyism – but he also adds some of his own novel ideas. Alan Woods, basing himself on the classical writings of Marx, Engels and in particular Lenin, shows how Stalinism and Marxism are opposites.

A speech given by Alan Woods at the August 2004 international gathering of the International Marxist tendency, in which he outlines the general lines of development of the crisis of capitalism today and the effects this is having on the class struggle internationally. The capitalists have no solution to the crisis of their system, therefore in the long run revolution is the only way out.

The following article was written by Alan Woods in 2004 to commemorate the 60th anniversary of the D-Day Normandy Landings in 1944. There are many myths surrounding the Allied invasion of Europe, and the Second World War in general, but what is the true story?

Fundación Federico Engels is publishing a new edition of Trotsky's book on Germany. Alan Woods runs through the events that finally led to the defeat of the German working class. The leaders of the German Communist Party - advised by Zinoviev, Stalin and co. - had a big responsibility in that historic defeat. It also deals with the rise of the Nazi Party in the 1920s and early 1930s. This tragic event could have been avoided had the leaders of the German labour movement had a clear understanding of genuine Marxism.

In the three articles that Luis Oviedo has written in answer to my article published on January 7 (Marxism versus Sectarianism - Reply to Luis Oviedo) a number of very important issues are raised. These questions deserve the most careful consideration by Marxists in Britain, Argentina and internationally. However, in order to clarify the issues raised and to educate the cadres (which ought to be the aim of every polemic) it is necessary to avoid heated language, distortions and personal attacks that only serve to divert attention away from the political questions. Such an approach will only confuse matters

We are publishing a speech made by Alan Woods in January. The main emphasis was on the extreme volatility of the present epoch. The state of the whole world system has reached a point where even small events can unleash massive movements. This has been clearly demonstrated by Spain in the last few days with rapid changes and swings in the mood of the masses taking place literally within a few hours.

Someone has said that one of the criteria for winning the Turner Prize is not to be understood. The philosophy behind this is: the less I am understood, the better the art. Yet the kind of art that wins the Turner competition also has merit. They have the merit of holding up a mirror to the society that produced them, and saying: “This is what you are, and this is all you are capable of producing.” These works point out to us that beneath the sleek, comfortable bourgeois surface of modern society, horrors are lurking: dead vermin, murder, death and decay.

Goya was one of the greatest artists of all time. His paintings are a priceless document of the history of the Spanish people. He painted the world in which he lived, and he painted it in terms of uncompromising realism. His entire outlook was shaped by great historical events - the French revolution, the Napoleonic wars, the ferocious struggle for national independence and the movement for liberal reform that followed it, a movement that was brutally crushed by the forces of darkness, obscurantism and reaction. This article is part of an important new series by Alan Woods called Art and revolution.